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1. #Alchemy vst internal clipping Patch#
2. #Alchemy vst internal clipping full#
3. #Alchemy vst internal clipping software#
4. #Alchemy vst internal clipping Pc#

In fact, audio processed by Omnia.9 for FM often sounds far better than the original CD. The result is a clean, dynamic, and listenable sound on the air. By repairing the damaged audio first, “Undo” gives Omnia.9 cleaner and more dynamic audio to work with, which can better stand up to the rigors of on-air processing. Processors add more distortion still, and the resulting “music” heard on the air is nearly unlistenable. Rip a track from the modern CD of your choice and look at the waveform in your favorite editor if you need proof. The result is that the audio going INTO a processor today sounds more distorted than the audio coming OUT of an FM air chain 10 years ago! Before it even gets touched by the compressors, limiters, and clippers in the processor itself, it has been damaged. As if that weren’t bad enough, the music is run through unsophisticated, brute-force clippers to make them louder still. The result is source material that is hyper-compressed right out of the jewel case with only a dB or two of dynamic range at most. It is an unfortunate but well-accepted fact that recordings made in the past two decades have been on the decline in terms of quality, as mastering engineers seem to be waging their very own “loudness wars”. An FM processor, by its very nature, compresses dynamic range and employs some form of clipping to deliver a “signature sound” and a competitively loud signal on the air. This was true decades ago and it’s still true (and more relevant than ever) today. Clean, well-recorded audio has always been able to withstand greater degrees of processing. The second step is a multi-band expander that creates dynamic range. The first step of Undo is the de-clipper, which examines and recreates audio peaks that were clipped during mastering.

#Alchemy vst internal clipping Patch#

Internal patch point capability so you can optimize placement of your Voltair / PPM® encoder within your audio processing chain.

#Alchemy vst internal clipping full#

Studio Output with very low latency for talent monitoringĬomposite pass-through (relay bypass) for your backup processor, with full analysis tools for external composite signals HTTP push support for automation, such as RDS and streaming song titles, preset recall Selectable SSB (Single Sideband) stereo encoder On-screen keyboard with several layouts (QWERTY, QWERTZ, AZERTY, Dvorak and ABC sequential) for easy setup and preset name typing Also supports full remote control and monitoring via HTTP request

#Alchemy vst internal clipping software#

Two-band final look-ahead limiting on digital pathsįull remote control via included NFRemote software with client audio streaming for remote adjustment and monitoring. Selectable phase linear high pass filter, 15, 30 or 45 Hz Shared processing path for AM+HD units (allowing them to share a watermark encoder) Supports Shoutcast 2 and lossless streaming. Phase Correction with Mono Bass reduces multipath distortion Multiband downward expansion (source noise reduction)ģ-stage wideband AGC with adjustable sidechain equalization Auto PilotĪ selectable feature that automatically turns off the 19kHz stereo pilot when Omnia.9 detects that the source material is mono, and turns it back on when the input is determined to be stereo, automatically gaining a 20 dB increase in signal to noise during mono programming. The remote interface looks and functions just like the front panel screen.

#Alchemy vst internal clipping Pc#

Omnia.9’s client software allows full remote control of the processor from any Windows-based PC or tablet, including touch screen devices, on the local network. The dry voice detector is a selectable feature that helps eliminate the audible distortion sometimes evident on bare voice (voice with no music mixed under it) when very aggressive processing settings are used. With the addition of a calibrated microphone, Omnia.9’s built-in real time analyzer (RTA), pink noise generator, and parametric equalizer can be used to calibrate any speaker system.

Omnia® ToolboxĮvery Omnia.9 comes with a “toolbox” that includes loudness metering, a digital oscilloscope, an FFT spectrum analyzer, and real time analyzer (RTA) to help you adjust your processing and “see what you’re hearing”. Kantar Watermarkingįor our customers in France, support for Kantar watermarking. Omnia 9 is the FIRST hardware processor to support this revolutionary codec. Omnia.9’s final FM clipper takes into account how the human ear hears and perceives distortion and uses that information to effectively mask it, leaving only clean, distortion-free audio on the air. Psychoacoustically Controlled Distortion-Masking Clipper “Undo” is a two-step process that restores peaks and dynamic range to - and removes distortion from - source material that has been damaged by over-compression and clipping during the mastering process.

Omnia.9 Features Exclusive “Undo” Technology